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About Audio Exotics

AE has three studios in Hong Kong: Sheung Wan, Central and Ap Lei Chau. For fellow connoisseurs in the South East Asian region, we have a headquarters in Singapore. All our studios are designed and built for the euphoria of music to touch our souls in ways that nothing else can.

The precondition of achieving such a state is to understand the concept of silence. Silence is physically invisible, though tangible to our senses. Mother Teresa said, “We need to find God and God cannot be found in noise and restlessness. God is the friend of silence. See how nature—trees and flowers and grass—grow in silence. See the stars, the moon and the sun, how they move in silence.”

All our studios follow strict principles to mitigate different kinds of noise through customised solutions. Painters create on a physical, palpable canvas. Music composers, however, originate music scores in the silence of their mind first. We’ve opted that audio reproduction follow the same credo. So the journey begins with the fundamental challenge: how is the original state of silence to be restored?

With that, we invite you to join us on a journey… to new heights, in audio reproduction!

@audioexotics on Instagram

Contemplation

Its value emerges only from a betterment perspective of a holistic system assuming successful integration without fingerprint regardless of price.

Comprehension of marginal change when a new element enters a system is merely descriptive. Insight comes from corresponding adjustments required in other parts of the system to accommodate the new element.

More references necessitate the judgement process. This is a function of listening maturity, music/technical knowledge and luck. You define the value of it, neither price nor media. Only the right mentality nurtures wisdom to become a wise pathfinder.

My value judgment is based on energy, space and scale. The silence between notes defines the space for energy formation. Without energy, space cannot be formed. Without space, scale cannot be projected. When scale is established, you are co-sharing the space with the artist in the same venue.

That defines presence. Musicality follows naturally.

I was holding the “Knightsbridge” （騎士橋）ground cable* by Dalby when Anthony Lau, National Geographic Travel Photographer Grand Prize Award winner 2016, shot this photo.

He is my designated photographer for my forthcoming book to be released tentatively in 2026.

Chris Leung

The connection of it to Tripoint Troy NG in my system allows me to comprehend the spacing between notes in any “staccato” passage of any musical instrument tremendously.

In music, staccato notes are typically played at half the written duration, with a distinct separation between them, which is around 200 milliseconds (0.2 seconds). This creates a short, detached, and percussive effect.

We are talking extremely high speed here. It is the performer who controls the pacing of it, which in turn radiates their emotions. If clarity of spacings are not clear, the intention of the performers will be distorted by noises.

#audioexotics
#御品音響
#dalbyaudiodesign
#anthonylauphotography

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Contemplation Its value emerges only from a betterment perspective of a holistic system assuming successful integration without fingerprint regardless of price. Comprehension of marginal change when a new element enters a system is merely descriptive. Insight comes from corresponding adjustments required in other parts of the system to accommodate the new element. More references necessitate the judgement process. This is a function of listening maturity, music/technical knowledge and luck. You define the value of it, neither price nor media. Only the right mentality nurtures wisdom to become a wise pathfinder. My value judgment is based on energy, space and scale. The silence between notes defines the space for energy formation. Without energy, space cannot be formed. Without space, scale cannot be projected. When scale is established, you are co-sharing the space with the artist in the same venue. That defines presence. Musicality follows naturally. I was holding the “Knightsbridge” （騎士橋）ground cable* by Dalby when Anthony Lau, National Geographic Travel Photographer Grand Prize Award winner 2016, shot this photo. He is my designated photographer for my forthcoming book to be released tentatively in 2026. Chris Leung The connection of it to Tripoint Troy NG in my system allows me to comprehend the spacing between notes in any “staccato” passage of any musical instrument tremendously. In music, staccato notes are typically played at half the written duration, with a distinct separation between them, which is around 200 milliseconds (0.2 seconds). This creates a short, detached, and percussive effect. We are talking extremely high speed here. It is the performer who controls the pacing of it, which in turn radiates their emotions. If clarity of spacings are not clear, the intention of the performers will be distorted by noises. #audioexotics #御品音響 #dalbyaudiodesign #anthonylauphotography

Space for Infinite Souls

This photo was shot by National Geographic Travel Photographer Grand Prize Award winner 2016, Anthony Lau, at Divin Lab Jun 2025.

Chris Leung

#御品音響
#audioexotics
#anthonylauphotography
#nationalgeographic

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Space for Infinite Souls This photo was shot by National Geographic Travel Photographer Grand Prize Award winner 2016, Anthony Lau, at Divin Lab Jun 2025. Chris Leung #御品音響 #audioexotics #anthonylauphotography #nationalgeographic

Interview with Mohan with The Edge Magazine - Singapore’s premier business and investment magazine!
Check out the interview https://www.theedgesingapore.com/options/interview/audio-exotics-singapores-mohan-veloo-discusses-business-sound

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Interview with Mohan with The Edge Magazine - Singapore’s premier business and investment magazine! Check out the interview https://www.theedgesingapore.com/options/interview/audio-exotics-singapores-mohan-veloo-discusses-business-sound