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Zanden Audio

Zanden Audio

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Zanden Audio of Japan is one of the oldest partners of AE. Yamada Kazutoshi’s constant new ideas in the domain of tube electronics, are reflected in a series of exclusive super electronics he has created for AE over this past decade.  This includes:   the Chouku amplifier housing the big 212-type tubes pioneering the application of the FINEMET core output transformer in a single-ended circuit design. The unconventional use of 300B power tubes in the output stage of the Chouku preamp serves to recreate unlimited dynamic range is quite a feat in itself.  The implementation of double push-pull circuitry in the KAUN mono block 100Watt amplifier is an unprecedented invention as well. Such an idea has never been successfully executed before, given the technical challenges.  Last but not least, is the introduction of the Zanden 1200 signature phono stage, with the flexible choice of two cutting machines (Westrex/Neumann), in addition to 5 EQ curves. Another first.  Yamada's lifelong research in the ultimate analog reproduction leads him to conclude that the "choice of cutting machine" matters very much in particular to the integrity of spatial resolution.

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Dalby Akasu Record Stabilizer

I have no words to describe my feelings of this analog treasure. What comes to mind is a poem.

Silence is a space, a sacred place. For in this space, I can see the beauty of life, pure and free.

The language of silence knows no bounds. Its meaning is felt, its presence profound.

For in silence, there is a way, to connect with our innermost soul.

Chris Leung

My deepest salute to Lee Dalby for his ingenuity to the service of musicality.

#御品音響
#audioexotics

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Dalby Akasu Record Stabilizer I have no words to describe my feelings of this analog treasure. What comes to mind is a poem. Silence is a space, a sacred place. For in this space, I can see the beauty of life, pure and free. The language of silence knows no bounds. Its meaning is felt, its presence profound. For in silence, there is a way, to connect with our innermost soul. Chris Leung My deepest salute to Lee Dalby for his ingenuity to the service of musicality. #御品音響 #audioexotics

無言感激

我選擇了日本藝術家 ”早川克己”（Katsumi Hayakawa)的作品給予Aaron為今年的生日禮物。早川是畫「光」的能手，這幅名為《Signal 》的作品，設計概念原自他的香港演唱會其中一個造型。從他的欣悦反應，我估計早川的創作已觸動了他的藝術感知。

我也帶了兩本Capital雜誌，給他作為留念。如果沒有遇上他，AE的發展將會變得平淡。他為《御品》題字的一幅書法，一直掛在發跡的上環展示室內，以作策勉之用。他對我的啟發與鼓勵，成為了強大的精神支柱，增強了信心不停突破，走上一條新的路線，所以我一直心存無限感激。

昨天Aaron對我說：”Chris，今次這個封面，是你的一個里程碑，大家繼續互相勉勵。”

當我要求他在雜誌內的專題報道上簽個名時，我萬想不到，佢先拿了支筆給我，請我在他那本上，簽我的名字作為留念。

這一刻的感動，並非文字可以表達到。

梁兆基

#御品音響
#audioexotics
#AaronKwok
#郭富城
#資本平台

119 1
Open
無言感激 我選擇了日本藝術家 ”早川克己”（Katsumi Hayakawa)的作品給予Aaron為今年的生日禮物。早川是畫「光」的能手，這幅名為《Signal 》的作品，設計概念原自他的香港演唱會其中一個造型。從他的欣悦反應，我估計早川的創作已觸動了他的藝術感知。 我也帶了兩本Capital雜誌，給他作為留念。如果沒有遇上他，AE的發展將會變得平淡。他為《御品》題字的一幅書法，一直掛在發跡的上環展示室內，以作策勉之用。他對我的啟發與鼓勵，成為了強大的精神支柱，增強了信心不停突破，走上一條新的路線，所以我一直心存無限感激。 昨天Aaron對我說：”Chris，今次這個封面，是你的一個里程碑，大家繼續互相勉勵。” 當我要求他在雜誌內的專題報道上簽個名時，我萬想不到，佢先拿了支筆給我，請我在他那本上，簽我的名字作為留念。 這一刻的感動，並非文字可以表達到。 梁兆基 #御品音響 #audioexotics #AaronKwok #郭富城 #資本平台

The beautiful Jete record weight by Dalby Audio Design. It illuminates musicality naturally from any vinyl atop analog turntable. Decaying harmonic tails are resolute, attacks are agile, textures are colourful, pacing is rhythmic, energy is radiant and presence is graceful.

#audioexotics

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Open
The beautiful Jete record weight by Dalby Audio Design. It illuminates musicality naturally from any vinyl atop analog turntable. Decaying harmonic tails are resolute, attacks are agile, textures are colourful, pacing is rhythmic, energy is radiant and presence is graceful. #audioexotics